History and Art Essay Example | Topics and Well Written Essays - 750 words

History and Art - Essay ExampleWith other study concerns such as economic crisis, war between nations, and population growth, who would pay immediate notice to the fact that behind the aesthetic beauty of an art piece, a battle is being fought against sexism and racism for the sake of the underrepresented artists? While it may be too delicate an issue to dwell on surface as to cotton up public attention on a larger scale, strong advocates of gender and racial equality like the Guerrilla Girls, as they call themselves, apparently, could not and admit silence is shame and argue You dont have to have a penis to be a genius (Guerrilla Girls 202). Most of us may claim to possess different perspectives on the matter and plainly express that besides the problematic social and cultural structure which basically governs the agency by which inequality prevails among sexes and persists, there are other deeper troubles that deserve a more adequate focus. However, our attitude of ignoring th e issue that merely about ten share of museums or galleries consist of art exhibitions by women and artists of color can be held accountable for the existence of all other chief worries that fail to be go to to in proper terms due to insights and ways of living that maintain their racist and patriarchal nature. As long as there lives lack of say-so for women and non-whites, it is self-evident that equilibrium and harmony would not settle right where they ought to be unless a balance is struck somewhere for a significant realization that in professing to improve a nation, both sexes regardless of race must come in front to execute equal control of change and progress. Upon perfect(a) examination of the article, I suppose this is the ultimate goal that sustains the principal reason of the Guerrilla Girls for continuing to be the conscience of the art world (203). I enjoy the Guerrilla Girls for their feminist and anti-racist stance since the 80s especially because despite the gor illa masks they wear for anonymity and the rather annoying taunting style of protest for the main cause, they reason an unconventional approach of hurling insults at prominent sexist and racist figures alike. Having waved their banner with jest-filled pronouncements of deviation from what they perceive as sickening norms of injustice within race and gender, such female organization serves as a degree of innovation to radical feminist groups whose overly serious actions on meeting similar ends greet lives and immunity to the point of dormancy. This is widely evident via the controversial works which earned them huge critique via statements and efforts as When Racism & Sexism Are No Longer Fashionable, What go out Your Art Collection Be Worth? and the gradual transformation of the Whitney Museum Biennials which used to practise racial and sexual exclusion (204). By injecting a concept of intriguing humor into ideals, the Guerrilla Girls manage to have weaved an object of interest to which art supporters become naturally drawn. Among the recent fruits of their endeavor I believe was Anya Kivarkis, the recipient of the Sienna gallery Emerging Artist Award in 2007 for creations like Blind Spot, Neo-Palatial Objects of Virtue and Vice, and Extreme Beauty. I feel that her projects reflect how the governmental struggle of the Guerrilla Girls has truly paid off for though female, her expertise in the field of